The Bacon Brothers
Most people would agree that there’s nothing stronger, more durable and occasionally, even more volatile, than the bond between brothers. And when that bond includes the common goal of making music, the results often offer reason for an audience to sit up and take notice. There have been any number of examples in music’s modern era -- the Everly Brothers, the Beach Boys, the Kinks and Oasis to name but a few. Not that it’s easy or even agreeable, but there is common cause, and that’s generally enough to ensure there’s passion and purpose in its creation.
There are so many ways to record now. The simplest is to pass around tracks recorded to a click, as most musicians have a sophisticated recording rig in their living situations. Everybody adds their parts individually. The other way is to actually all sit in the same room and build the piece en mass. That’s what the Bacon Brothers did with their new CD, and G.E. Smith was the right person at the right time to do just that. The new album follows on the heels of last year’s “Driver,” a resilient tale of lost youth imbued with tender memories, the Bacon Brothers’ new single “Broken Glass” also echoes that personal resolve. Written by Kevin and recorded at Lehman College studio where Michael teaches, the song was co-produced by both Bacon brothers. “It’s a very personal song,” Kevin says of its reflective musings. “I think that the songs are strong when they are personal. It took a long time. Some come easy, some not. But I'm proud of it and very happy with what Mike and the guys brought to the mix.” That song will be followed by Michael’s composition “Two Rivers,” a tender, reflective ballad also recorded during the Lehman sessions.
Still, while it’s clear that Michael and Kevin don’t view the band as simply a sideline, their commitment is clear. Indeed, the high points have been many. Kevin points to an opening slot for The Band at Carnegie Hall, surveying the Texas landscape in the midst of a lightning storm, rocking the Stone Pony on the Jersey Shore and Cain’s Ballroom in Tulsa. For Michael, it’s been all about touring in Germany and Japan, and the fascination he feels performing for overseas audiences.